Besides the standard photo and video shooting modes, the PXW-FX9 has many operating modes for different purposes. There is Custom mode, CineEi mode, and S-Cinetone mode. In Custom mode, the camera behaves like a conventional video camera, and records the picture to XQD cards. CineEi mode, on the other hand, behaves like an S-Cinetone camera, and records the picture to a SD card.
Dual ISO function
The Dual ISO function on the Sony PXW-FX9 camera is a great addition for low-light photographers. This feature combines the best of contrast and phase detection AF for subject tracking. Sony’s dedicated 561-point phase-detection AF sensor covers 94% of the imaging area. The autofocus system works with any E-mount lens and can even sync with the Cinema Lens Series. The Electronic Variable ND Filter lets you change the exposure level instantly.
The dual ISO function is different from the standard sensitivity setting because the camera’s ISO rating will change based on the gamma curve. A camera with this function will change its ISO rating by one stop in bright conditions, and a lower value will give it more low-light shots. The dual ISO function has a minimal impact on the quality of the image. The best part is that the Dual ISO feature is easy to use. You can get started with a free tutorial on the Dual ISO function on the Sony PXW-FX9 camera.
Custom and CineEl settings
The Custom mode has its own gamma curve, and the CineEI mode uses S-Log3 gamma curve with a Hi (800 ISO) or Low (4,000 ISO) base sensitivity. Users can choose between these two modes for different needs, though the Custom mode tends to be better for general shooting.
The Sony FX9 features a 6K full-frame sensor, which gives excellent quality footage. The camera provides two color settings: the Custom setting for cinematic-style colors, while the CineEl setting for standard-style color mixes. CineEl gives more consistent results when color work is done in post-production, but the custom mode is slightly worse in high-ISO performance.
The white balance setting is an option to change if you want to take a photo of the same light source. The default setting for the White Clip is ON, while broadcasters may want to set it to 104%. Black Gamma, in the other hand, is set to 100%. This adjusts contrast in the darkest parts of the image. These options may be helpful when shooting for a newscast.
SteadyShot
The SteadyShot for Sony PxW-FX9 camera includes features and settings to make shaky footage look steady in post-production. This new feature is capable of detecting faces and automatically adjusting AF sensitivity, subject shift sensitivity, and AF transition speed. It also records motion metadata to improve post-production quality.
The camera supports full-frame and 35mm-equivalent recording, and features a high-speed readout to avoid rolling shutter artifacts. Its dual-card slots support simultaneous recording and relay recording, and there are multiple backup recording modes, such as H.264. The camera’s video resolution is 1920 x 1080. Sony recommends using the included lenses with the APS-C image sensor.
You can also change the Focus Area, as well as its position, in the Monitoring menu. This can be accomplished by holding down the assignable button. When focusing, you can also select Focus Area Ind. (AF-S) and adjust the display position to make it appear larger. Make sure that the Focus Area Frame does not remain hidden while you’re using the DISPLAY button.
The Sony PXW-FX9 camera offers a full-frame 6K sensor and is the successor to the legendary PXW-FS7. It boasts Fast Hybrid AF, dual base ISO, Cinematic Colour Science, S-Cinetone and Image Stabilisation. With its new features, you will be able to take stunning pictures with a variety of lighting conditions.
The camera’s XDCA-FX9 extension unit provides better ergonomics for shoulder-style shooting. The XDCA-FX9 also adds an external microphone and an audio operator’s note. Ultimately, you can use the PXW-FX9 as a video camera. The new camera will provide an excellent video experience and a great camera experience.
